In the Quranic examples only the letters to which the rule applies are coloured; the rest of the word stays black. Each colour has one fixed meaning throughout the book:
Ghunnah: Ikhfa', Iqlab, Idgham bi-Ghunnah, doubled Nun and Mim
Izhar: Halqi, Shafawi, Qamari
A letter that is written but not pronounced, or fully merged without Ghunnah
Qalqalah
Madd of two counts: Tabi'i, Badal, Silah Sughra, 'Iwad
Madd of four or five counts: Muttasil, Munfasil, Silah Kubra
Madd Lazim of six counts
Madd of 2, 4 or 6 counts: 'Arid li-s-Sukun and Lin at a stop
Ghunnah(الغُنَّة) is a nasal sound built into Nun and Mim, coming from the Khayshum(الخَيْشُوم), with no action of the tongue. If the nose is pinched, it stops. It is a permanent quality of Nun and Mim, including Tanwin.
Doubled Nun and Mim
The poet commands that the Ghunnah be shown fully in a doubled Nun or Mim, that is, held for two counts, in the middle or at the end of a word, whether joining or stopping. Each is called a doubled letter of Ghunnah.
Doubled Nun and Mim
ٱلنَّاسِالنَّاسِ
An-Nas 114:1
إِنَّ ٱلَّذِينَاِنَّ الَّذِيْنَ
Al-Baqarah 2:6
عَمَّعَمَّ
An-Naba 78:1
ثُمَّ يُمِيتُكُمۡثُمَّ يُمِيْتُكُمْ
Al-Baqarah 2:28
ثُمَّ إِلَيۡهِثُمَّ اِلَيْهِ
Al-Baqarah 2:28
ٱلۡيَمِّالْيَمِّ
Taha 20:78
Levels of Ghunnah
Ghunnah has five levels: fullest when doubled, then when merged, then when hidden (including Iqlab); in these three it is held for two counts. Then in a silent clear letter, then in a voweled letter; in these two there is only the basic Ghunnah that never leaves the letter.
It is a mistake to drop the Ghunnah in a doubled letter, to stretch it beyond two counts, or to add Ghunnah to a clear silent Nun.
Sources: Ibn al-Jazari, al-Muqaddimah al-Jazariyyah, verse 62; Ibn al-Jazari, an-Nashr fi al-Qira'at al-'Ashr: الكلام على الغنة; Al-Marsafi, Hidayat al-Qari ila Tajwid Kalam al-Bari: مراتب الغنة.