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Tajweed Rules

Mithlayn, Mutajanisayn and Mutaqaribayn

Compiled and edited by: Syed Abdul Salam

Scholarly review: Dr. Uzma, Imam Syed Siraj Munir

Updated:

Quran script:
Colour guide

In the Quranic examples only the letters to which the rule applies are coloured; the rest of the word stays black. Each colour has one fixed meaning throughout the book:

Ghunnah: Ikhfa', Iqlab, Idgham bi-Ghunnah, doubled Nun and Mim
Izhar: Halqi, Shafawi, Qamari
A letter that is written but not pronounced, or fully merged without Ghunnah
Qalqalah
Madd of two counts: Tabi'i, Badal, Silah Sughra, 'Iwad
Madd of four or five counts: Muttasil, Munfasil, Silah Kubra
Madd Lazim of six counts
Madd of 2, 4 or 6 counts: 'Arid li-s-Sukun and Lin at a stop
Tafkhim (heavy)
Tarqiq (light)
The letter under study in the example
Special cases: Sakt, Imalah, Tashil, Ishmam
From al-Muqaddimah al-Jazariyyah
٥٠وَأَوَّلَيْ مِثْلٍ وَجِنْسٍ إِنْ سَكَنْأَدْغِمْ كَقُلْ رَبِّ وَبَلْ لَا وَأَبِنْ
٥١فِي يَوْمِ مَعْ قَالُوا وَهُمْ وَقُلْ نَعَمْسَبِّحْهُ لَا تُزِغْ قُلُوبَ فَالْتَقَمْ
From al-Muqaddimah al-Jazariyyah
٤٦وَبَيِّنِ الْإِطْبَاقَ مِنْ أَحَطتُّ مَعْبَسَطتَّ وَالْخُلْفُ بِنَخْلُقْكُّمْ وَقَعْ

When two letters meet in writing and pronunciation, they have four names according to their relation in makhraj and quality:

NameDefinitionExample
Mithlayn (المِثْلَان)Same makhraj and qualities: the same letter twice﴿ٱضۡرِب بِّعَصَاكَاضْرِبْ بِّعَصَاكَ﴾ (Al-Baqarah 2:60)
Mutajanisayn (المُتَجَانِسَان)Same makhraj, different qualities﴿قَد تَّبَيَّنَقَدْ تَّبَيَّنَ﴾ (Al-Baqarah 2:256)
Mutaqaribayn (المُتَقَارِبَان)Close in makhraj or quality﴿وَقُل رَّبِّوَقُلْ رَّبِّ﴾ (Al-Isra 17:80)
Mutaba'idayn (المُتَبَاعِدَان)Far apart in makhraj, different qualities﴿نَعۡبُدُنَعْبُدُ﴾ (Al-Fatihah 1:5)

Each is of three kinds: saghir (small) when the first is silent and the second voweled; kabir (large) when both are voweled; mutlaq (absolute) when the first is voweled and the second silent. In Hafs, merging mostly occurs in the saghir kind; in the kabir kind the basic rule is Izhar except for a few words; there is no merging in the mutlaq kind.

Mithlayn Saghir

A silent letter must merge into the same letter voweled, within one word or across two, as the poet says: "the first of two identical or same-makhraj letters, if silent, merge."

Merging identical letters
يُدۡرِككُّمُيُدْرِكْكُّمُ
An-Nisa 4:78
رَبِحَت تِّجَٰرَتُهُمۡرَبِحَتْ تِّجَارَتُهُمْ
Al-Baqarah 2:16
وَقَد دَّخَلُواْوَقَدْ دَّخَلُوْا
Al-Ma'idah 5:61
إِذ ذَّهَبَاِذْ ذَّهَبَ
Al-Anbya 21:87
بَل لَّابَلْ لَّا
Al-Fajr 89:17
عَصَواْ وَّكَانُواْعَصَوْا وَّكَانُوْا
Al-Baqarah 2:61
A Lin Waw merged

Exceptions

  • When the first is a Madd letter: it is not merged but lengthened, then the second is pronounced, as the poet says: "and make clear in fi yawm and qalu wa-hum": ﴿قَالُواْ وَهُمۡقَالُوْا وَهُمْ﴾ (Ash-Shu'ara 26:96) and ﴿فِي يَوۡمٖفِيْ يَوْمٍ﴾ (Al-Ma'arij 70:4).
  • The Ha' of pause in ﴿مَالِيَهۡۜمَالِيَهْ﴾ (Al-Haqqah 69:28) with ﴿هَلَكَهَلَكَ﴾ (Al-Haqqah 69:29): Hafs has two ways when joining: Izhar with a light Sakt (السَّكْت), or Idgham.

Mutajanisayn Saghir

In Hafs it is merged in the following cases and pronounced clearly elsewhere:

LettersExamplesType
ت ← د﴿أُجِيبَت دَّعۡوَتُكُمَااُجِيْبَتْ دَّعْوَتُكُمَا﴾ (Yunus 10:89) ﴿أَثۡقَلَت دَّعَوَااَثْقَلَتْ دَّعَوَا﴾ (Al-A'raf 7:189)Complete
ت ← ط﴿وَقَالَت طَّآئِفَةٞوَقَالَتْ طَّآئِفَةٌ﴾ (Ali 'Imran 3:72) ﴿وَدَّت طَّآئِفَةٞوَدَّتْ طَّآئِفَةٌ﴾ (Ali 'Imran 3:69)Complete
د ← ت﴿قَد تَّبَيَّنَقَدْ تَّبَيَّنَ﴾ (Al-Baqarah 2:256) ﴿عَبَدتُّمۡعَبَدْتُّمْ﴾ (Al-Kafirun 109:4)Complete
ث ← ذ﴿يَلۡهَثۚ ذَّٰلِكَيَلْهَثْﵧ ذٰلِكَ﴾ (Al-A'raf 7:176)Complete
ذ ← ظ﴿إِذ ظَّلَمُوٓاْاِذْ ظَّلَمُوْٓا﴾ (An-Nisa 4:64)Complete
ب ← م﴿ٱرۡكَب مَّعَنَاارْكَبْ مَّعَنَا﴾ (Hud 11:42)Complete
ط ← ت﴿بَسَطتَبَسَطْتَّ﴾ (Al-Ma'idah 5:28) ﴿أَحَطتُاَحَطْتُّ﴾ (An-Naml 27:22) ﴿فَرَّطتُمۡفَرَّطْتُّمْ﴾ (Yusuf 12:80)Incomplete: the Itbaq and Isti'la' of Ta' remain
Common mistake
In ﴿بَسَطتَبَسَطْتَّ﴾ (Al-Ma'idah 5:28) and ﴿أَحَطتُاَحَطْتُّ﴾ (An-Naml 27:22) it is a mistake to merge the Ta' completely so that it becomes a pure Ta, or to pronounce it clearly with Qalqalah. The correct way is a doubled Ta with the Itbaq of Ta' remaining, as the poet says: "make the Itbaq clear in ahattu and basatta."

Mutaqaribayn Saghir

In Hafs: a silent Lam merges into Ra', as in ﴿وَقُل رَّبِّوَقُلْ رَّبِّ﴾ (Al-Isra 17:80) and ﴿بَل رَّفَعَهُۢبَلْ رَّفَعَهُ﴾ (An-Nisa 4:158), except ﴿بَلۡۜ رَانَبَلْﶌ رَانَ﴾ (Al-Mutaffifin 83:14) because of the Sakt. A silent Qaf merges into Kaf in ﴿نَخۡلُقكُّمنَخْلُقْكُّمْ﴾ (Al-Mursalat 77:20), with two ways: complete merging, which is preferred, and incomplete merging with the Isti'la' of Qaf remaining, as the poet says: "and the difference occurred in nakhluqkum." The silent Nun merging into Lam and Ra' also belongs here.

Where clarity is required

The poet warned about words where merging might creep in because the letters are close; they must be pronounced clearly:

Izhar
قُلۡ نَعَمۡقُلْ نَعَمْ
As-Saffat 37:18
فَسَبِّحۡهُفَسَبِّحْهُ
Qaf 50:40
لَا تُزِغۡ قُلُوبَنَالَا تُزِغْ قُلُوْبَنَا
Ali 'Imran 3:8
فَٱلۡتَقَمَهُفَالْتَقَمَهُ
As-Saffat 37:142
Further examples (not from the poem)
فَقَدۡ ضَلَّفَقَدْ ضَلَّ
An-Nisa 4:116
قَدۡ سَمِعَقَدْ سَمِعَ
Al-Mujadila 58:1

The kabir kind in Hafs

In Hafs the basic rule in the kabir kind is Izhar; merging occurs in a few words, such as ﴿لَا تَأۡمَ۬نَّالَا تَاْمَنَّا﴾ (Yusuf 12:11), with Ishmam (الإِشْمَام) or Rawm (الرَّوْم) as explained later, ﴿مَا مَكَّنِّيمَا مَكَّنِّيْ﴾ (Al-Kahf 18:95), ﴿فَنِعِمَّافَنِعِمَّا﴾ (Al-Baqarah 2:271) and ﴿أَتُحَٰٓجُّوٓنِّياَتُحَآجُّوْٓنِّيْ﴾ (Al-An'am 6:80).

Sources: Ibn al-Jazari, al-Muqaddimah al-Jazariyyah, verses 46 to 51; Ibn al-Jazari, an-Nashr fi al-Qira'at al-'Ashr: باب الإدغام الصغير; Makki ibn Abi Talib, ar-Ri'ayah li-Tajwid al-Qira'ah: باب الإدغام; Al-Marsafi, Hidayat al-Qari ila Tajwid Kalam al-Bari: المثلان والمتجانسان والمتقاربان.